Thursday, 19 January 2017

The Reversible Truth 


Reversibility grew as one of the key ethical codes of early conservation and has acted as an aspirational notion in conservation treatment.  However the term is frequently used without clarity and like much of conservation methodology it is largely context-dependent.  The two comparative case studies demonstrate how reversibility can only be an appropriate notion in certain treatment methods and in most cases unattainable, due to material structure that can limit the removal of treatments and contextual information.

Wednesday, 18 January 2017

Conserving Frescos: Detrimental Change Due to Moisture

Moisture has been one of the leading causes of deterioration for fresco wall paintings, causing them to fall apart to the point where their meaning becomes lost. Many frescos contain highly symbolic moral or social messages that reflect the attitudes and perspectives of the time of their creation, and thus contribute to art, history, sociology, and teaching. The hope for these remarkable works of art is to reduce the need for large-scale interventions and ensure sustainable conservation solutions so they can remain in the context of their building or site, preserving the messages and artistic and technical merit of the heritage that created it. 

Tuesday, 17 January 2017

Looted objects? NO CONSERVATION!


Abstract: Although reasons for both "treating" or "not treating" looted artifacts may be compelling, most conservators agree that conserving looted objects may help the looting of archaeological sites. From a broad point of view, we could say that conservators are responsible not only for individual objects but for all objects, archaeological sites, histories and civilizations. Professional ethics indicate that conservators should try to help the fight against looting.


CONSERVATION OUTREACH IN SCHOOLS: CREATING NETWORKS


ABSTRACT:
As conservation remains mostly unknown to the general public, it is important to tackle the problem from various angles. This poster illustrates how conservators can collaborate with schools to establish the foundations of a diverse network that would allow more awareness towards cultural heritage conservation in a sustainable and inexpensive way.







Approaches to conservation practice and theory

The poster is about frameworks and guidance practice. It asks questions to foster discussion between attendees at a conference. It is intended to be mildly provocative. The choice of images relates to discussion within the accompanying essay regarding cleaning, functionality, in-painting and subjectivity. Five of the six images have an emphasis on texture. The intention is to suggest the pleasure in the materiality of things that conservators have. With thanks to the British Museum and Tate.



Outside the comfort zone: The social context of conservation and its influence on decision-making.

Most heritage conservators recognise that their practice is not neutral to differing ideologies in society. In this poster, I explore why conservation decisions vary in different social contexts by applying a value-based model system to a case study of the drastic changes made to a Prussian Palace in Communist- and Post-Communist Poland. This illustrates some contextual issues that affected decision-making in this specific case, and may assist conservators in analysing how cultural circumstances shape priorities in the care of cultural heritage.

What's Gone Is Forever Gone: The Role of Conservation Treatment in Looted Antiquities


This poster explores how conservators treat looted objects by making a comparison with the ideal conservation process. Although looted objects may seem to be intact in shape and form, there is something important missing: the context, the history, and the associated values. I chose the case of Kanakaria mosaics to demonstrate a restoration treatment focused solely on economic value.
I also want to thank Renata F Peters, Kathryn Walker Tubb and Laura Chaillie for their support and advise.



Deliberate Damage of Cultural Heritage in Conflict: The Bamiyan Buddhas

Deliberate damage to cultural heritage for symbolic purposes during times of conflict has a long history, but international frameworks for preventing it have been slow to develop.  The destruction of the Bamiyan Buddhas by the Taliban in 2001 highlights some of the problems facing conservation of conflict damage, including the important meaning of the damage itself and the difficulty of creating general international laws that can conform to the case-by-case nature of heritage.

Monday, 16 January 2017

Provenance documents: what to look out for

Museums and handlers of material heritage rely upon documentation of provenance to determine if objects have been legally purchased or imported. These are not always credible and can be falsified by three methods determined by Günter Wessel. They are the certification, circular sale, and forgery methods. The establishment of recovery protocols is encouraged to aid conventions like UNESCO 1970 in fulfilling its purpose.



Tuesday, 13 December 2016

Conserving Damage: How Far Should We Go?


This poster examines the potential value of deliberate damage by removing the social and political biases attached to the Rokeby Venus. Instead we consider identical damage superimposed onto Monet's 1922 Water Lilies. Questions are posed on the longevity of the imagined Monet damage within the consciousness of the public. Artist Nicholas Middleton returns the damage to the Venus in his 'Restoration (2004-05)' and the reader is left to decide if damage, itself, can be valuable.



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